Monday 17 August 2020

Hyborian Bridge 129


From the previous post, if Sandrea (Perrine) is the subjective, feminine side of things, Rand (Ayn) is the objective, rational side. I just happened to notice that,

SANDREA – RAND = SEA

Take away Rand’s logical thoughts from a lithe ideal of the outdoor female figure, and you’re left with pure rhythm (Perrine, as I may have mentioned, was studying computing last I heard, and her mother was a scientist – see Ada Lovelace).

One could imagine a sea-faring race such as the ancient Atlanteans, masters of metal and with halls of science, but the one thing one can’t imagine is Atlanteans without the sea. Atlanteans are imagined as hardened, heroic figures with ideal human symmetries, romantic and fertile.

 © BWS

The fertility of symmetry – the romantic, erotic element – is something a science of information can never allow itself to dream of. Spokespeople like Richard Dawkins have an immaterial belief in words within their logical fairy-tale.

Their logic is so consistent that, to them, the symmetries of a physical world are aspects of The God Delusion (I just read that Dawkins is selling this and others to Arab nations via free pdf downloads!)

The God Delusion is the idea that things are fertile and erotic and feminine, and not at all composed of information. You suspect Dawkins is aware that rhythm exists but sees it as a physical aspect of reality, as opposed to the immaterial information that supplies logic. It would never occur to him that, without a purely rhythmic symmetry, the interlacing twists and turns of the body could never exist.

 


In short, when the ego is so convinced of its own logical thought-processes, the entire physical world ceases to exist in their minds (if not bodies). This could be why he calls it The God Delusion.

Romantic physicality is an idyll and has a simple, primitive strength, the taste of rough living. For example, the Dixie that comes to mind is one of ploughing barges on the Mississippi, the rough living of blacks on plantations and old-time courtesies.

Physically-speaking, it’s countrified idyll. Politically speaking there are inequalities, but there is a primitive strength that is really of the body and song, much like the cowboys.

Now we have not just the Dixie Chicks but also Dolly Parton talking out “Dixie” from their association. The confusion is that Dixie is a political insinuation, when it’s equally a physical state of being in the body as opposed to the head.

The South is associated with an almost morbid sense of fertility, a culture almost reminiscent of an African jungle. To “them” all that is negative for the sole reason that it’s primitive physicality, as opposed to the immaterial world of silicon valley.

The logical fairyland is itself an illusion that convinces the ego that the fertile rhythms of nature and of the human body are not atall what constitute reality, which is information.

The morbid fertility of the South is a product of decay and rebirth, which is again something they cannot allow to prosper. To a sterile order there is only endless rubbish removal to maintain the sterility. There is no revival from decadence. “They” inform us that God is for kids and that the human race has grown up. To which the reply is,

“Do you want to live forever?” (Valeria, Conan). Destiny and lifecycle (physical reality.)

The very process tends to make places similar and lacking in distinguishing atmosphere, smell, longeur. The reason is that “they” are building an immaterial reality which happens to use materials (materialism).

A physical reality has the strength of primitive symmetry from which flows fertility and erotic connotations. Primal rhythms cannot be denied, and in the case of materialism take the guise of the profane serpent – see prev on cultured meat, GM etc. The sausage-factory of a non-cyclical order.

The God Delusion is acolyte-speak for the sorcery of the head – mirror, illusion – which cannot deny the physical, which sterilizes culture with the Black Sun of calculation.

The fertile symmetries of rustic living are the counter to this sorcery of words and number represented by those South African twins, Dawkins and his chum Musk. Whether black, cowboy or Indian, all have such things in common in regaining a physical foothold on land, from sea to shining sea, with air to spare.