Calculation can never replace movement, only distorted, and the distortion has the effect of confusing what is bad with what is good (SR2).
Good and bad are always present in nature, and the only way to sort the wheat from the chaff is by way of natural rhythms, processes that a gamekeeper can manage on a day-to-day basis.
A gamekeeper or, one might equally say, a primary schoolteacher, a village elder. Where good and bad have to coexist, natural rhythms are indispensable for strength and the metamorphosis of dirt to cleanliness.
The confusion of good with bad is a key theme in Buffy Sainte-Marie's
THE BIG ONES GET AWAY (duet on Sandi Thom's album Flesh and Blood)
DNA is a figment of calculation that enters an artificial parallel reality of number (the expressive algorithm.) The psychic rapport that movement imbues in the active body (spine, muscles) is absent on the inert valley of number (ego.)
Movement is seductive and attractive to the opposite sex and desire is born. The modern illusion avoids desire through the numerical fixation; this neutral information is the equivalent of the neutral zone of sex (M7).
So, in a sense the 'asshole of the galaxy' seen in Revivalism7 is where our scientific chiefs are directing things. The body is above all a mechanism in motion and the motion imbues a sense of spirit
DNA, taken as a series of random mutations, enters a chaotic zone of calculation instead of what it is; a counterweight to the ordered processes of mechanism in movement.
Order cannot exist without freedom (choice, the miscopies or mutations) or it becomes tyranny. What we are given by 'them' is the chaos of a neutral zone of number; the distortions of reality and the confusion of good with bad.
Endurance, fits of speed. The mammalian diaphragm that holds gulped air in the lungs. The four-chambered heart that directs oxygenated blood to the body, and devoxygenated blood to the lungs.
Mammalian mechanisms that make us powerful, that are strong of spirit, birthed in history, rapport established.