LYRICS

The applications are to blameAll the people do all dayIs stare into a phone (Placebo, Too Many people)

“Take nothing but memories, leave nothing but footprints!” (Chief Seattle)

When rock stars were myths (Sandi Thom, I Wish I Was A Punk Rocker)

Machines were mice and men were lions once upon a time, Now that it's the opposite it's twice upon a time (Moondog)

Time is an illusion (Einstein)

Thursday 9 May 2019

Pictorial 50 (part2)


Van der Post paints a dreamlike sequence of the great trek from where they stumble on the startling Flamingo Bay, hidden by a cleft in the cliffs and by maritime cunning, pursued for countless days and nights following the elimination of his pack-bearers, leaving three of them – the young ‘Takwena Tickie and the grim Arab Said – to forge through, to forge comradeship in the land of unforgettable images.

I found it within a few minutes on the side of the broad vlei wherein the rain-water was still a shining silver among long dark reeds and a couple of long-legged herons stood black and motionless and so like Japanaiserie on a lacquered screen that I was almost startled when one of them gave a melancholy croak as it stirred restlessly in its sleep. (page 165)

When they encounter a lone ‘Takwena, prey turns hunter

‘Quoish, Effendi,’ Said remarked with grim Arabic approval; ‘Quoish Khitir: one for nine; it is a good beginning but the reckoning is still far from complete.’ (page 175)

in a real el Borak moment, while the unbelievable truth of Flamingo Bay has the geopolitical finesse of Talbot Mundy’s The Eye of Zeitoon, with along the way scenes of timelost uncertainty.

I scrambled up the crack in the first light and was back on my seat of ancient learning in time to see the whole Homeric wine-red sea of morning swell on the horizon. (page 187)

Where The Eye of Zeitoon makes heroes of the Armenians and ruffians of the Turks, here it is the Russians (written well before Bay of Pigs). The snaking lines of well-drilled ‘Takwena pack-bearers become dragons of the jungle, dragons who feed off ill-gotten gains of the wormdollar Rouble.

You reckon they’re different? I’m not so sure if they both are there to eclipse the lost landscape of rustic activity.

I saw the round huts, neat cattle kraals strangely black in the green grass, stockade maize, millet, and pumpkin fields bleached a wintry yellow with stubborn little pig-tails of smoke over them all, and familiar blood-red footpaths stretched out like the nerves of a human hand ready to take their naked traffic down into the dark bush or over the hump into the arrogant blue. (page 184)

Today, Tanzania is eclipsing the largest African nature reserve with a massive dam – who’s funding it this time? China.

I agree all those three countries politically couldn’t be less alike, yet all inhabit the same illusion – the vanishing point of technique (see Drama2 “speed”). All three regions live under one master – the solar serpent or wormdollar, cold-blooded denier of Earth and moon. When van der Post says “Homeric wine-red sea” you are in the simpler world of billowing breezes and recurring dawns that tell the story of Man (the adventurer, wanderer on Earth).

“They” or the Martians in our midst inhabit a land of tricks or illusions where rivers are diverted, flood plains ravaged, citizens ejected. You might say, “All life is a trick, dog”, as Howard does in one of the Conan stories (or was it Thomas?) and it might be, if it’s human and personal.

“They” are the dark impersonal forces who convince is with tricks - illusions of technique. As you may have guessed I’m referring to Musk and his algorithmic rocketships. This

 

is a quote from DT business
To watch SpaceX’s reusable Falcon boosters land elegantly back on Earth after launching a satellite into space or delivering a capsule to the International Space Station, as it did on Saturday, is a sight which defies all logic. Your brain insists it should not be possible to land a rocket on its end, precisely in the right place, on a launch pad in the sea. But it is.
Yeah, the brain may be seeing things, since all these SpaceX/NASA rockets must be comprehensively programmed with flight algorithms. What you are seeing is the vanishing point of technique, which is the land of illusion.
In the land of illusion, everything is perspective, and you travel through the perspective illusion  whether you use rockets or petrol-fuel (see “speed”). As CC Beck says of flying,
Let me tell you a story about the Emperor of China, back in nineteen aught four, as we old-timers say. One of the early aviators took an airplane over to China, and the Emperor was not impressed at all. One of his assistants said, “Look, Emperor, it’s flying!” And he says, “Well, that’s what it’s supposed to do, isn’t it?”  (TCJ 95, 1985)
The land of illusion is the land where perspective always approaches the vanishing point; what you see (the rocket) is an illusion of perspective. You will always be in this perspective illusion, whether you go to Mars or Timbuktu.
It’s not real; it’s just technique. Reality is a physical thing, and it’s symbolised by the moon (aether Drama2)
So there we were, soon after eight, crawling through long grass towards the crown of our valley barely a hundred paces away, solemn under the unbelievable moon.. I lay for one lovely second staring up at her, seemingly so close in that moment of trumpet call on this far peak in the mountains of Umangoni, until Tickie touched me on the shoulder whispering with an odd tremble in his throat: ‘Oh! Do you hear Bwana? My Bwana, do you hear?’
Rivers are real; dams are false (apart from Robert Robertson’s, natch). The Forbidden City is real; Beijing is false. Hutongs are real; Shanghai is false. NASA if it’s seen as a trick is real; NASA/Silicon Valley is false, the wormdollar of the future.

Savage Tales 2