LYRICS

The applications are to blameAll the people do all dayIs stare into a phone (Placebo, Too Many people)

“Take nothing but memories, leave nothing but footprints!” (Chief Seattle)

When rock stars were myths (Sandi Thom, I Wish I Was A Punk Rocker)

Machines were mice and men were lions once upon a time, Now that it's the opposite it's twice upon a time (Moondog)

Time is an illusion (Einstein)

Thursday 16 July 2020

Pictorial 128


The falseness is at the heart of modernity and is caught in the Japanese sci-fi trilogy 20th Century Boys. What is truth in a land of pure information and cybernautics? In this case it is “Friend”; Friend wants friends; all the same, all numbers, algorithmic identity. Everything and everyone is ditto and loves Friend, a blank-faced cypher.
 
The origin for this comforting dystopia comes from a gang of kids in 1969, who wrote a “book of prophecy” that future events seem to mirror. The kids in the longgrass; Donkey’s excitement at Neil Armstrong’s landing; nostalgia for kiddish larks; the ubiquitous presence of a masked “friend” make for a potent mix of pop-culture.
 
 
“What he’s doing right now is like a childish deceptions.” (one of the kids to Shogun in part 3).
 
If Friend is a cipher who inhabits the land of numbers that approach the vanishing point of technique, he could easily be Zuckerberg or others of that ilk like Musk, Bezos. Nostalgia has to be real – in terms of physicality – rather than a false ideal (of numbers, algorithms).
 
Like 20th Century Boys, could the modern world be a clever deception; could progress be simply endless repetition into the straight-line universe of numbers? Of the three big corporate entities – Bezos, Musk, Zuckerberg – all are essentially the same thing, a programmer who became big in commerce. As noted in Pictorial 1Zuckerberg would mate with robots if he could; they are that close and friendly.
In order to get into “their” version of progress (I mean, has Man never progressed pre-industry?) one has to enter the land of straight-lines (perspective, vanishing point). Once there, in the land of mirrors (HB20) it’s all very convincing, since numbers are convincing. What I mean to say is, by journeying into space on Musk’s rockets, you are also going into cyber, becoming robotic. The work you do would be repetitive, you would be bored.
The reason is really because it’s a deception; the physical reality of the body is primitive and reptile. The detached head can deceive itself with the ego. Instead of primitive strength and psyche, one has the endless repetition of a ray of light (electromagnetism).
Semi-conductors switch between one and zero continually, so it’s a form of repetition. Baldly stated, there are ten numbers (0-9) but we could make do with 1 and 0, since 9 is 1+1+1+1+1+1+1+1+1.
It would make life pretty boring, but it would be accurate! So, in a way, everything mathematical can be a form of repetition. The thing that makes a progressive scenario – such as Man emerging from the leaves to the caves – is the gross physicality that occurs in conditions of strength.
Ambience, pungence, forest scents, crushed leaves, berries and carrion, predator and prey. These occur in the physical realm of day and night, where dreams and darkness exist.
But when one doth live in darkness, a mushroom is thy meat and moss thy bed.. and frightful comes the serene blue sky. (BWS Young Gods & Friends, “The Party”, Strangehands to Adora)
Darkness is the destruction of light by plants and the construction of fertility. The sterile land of light has a need for the dark. In Greek myth, the feminine aspect is represented by Diana of the moon, by Daphne of the laurel, by Proserpine of the underworld, spouse to Pluto.
With darkness is a proportionate reality born of rhythm and symmetry (Earthspin). As noted previously, Galileo is something of a deception in that the physical reality we inhabit is the Earth which spins, not the sun which is more or less static.
The sun is a perspective reality (of light, straight-lines), while Earth is a physical reality of pungency and roots. The goddesses of darkness are often depicted in underclothes, or very little more than whisps of linen. The female power of blood and fertility is often connected to the power of the underworld.
Either literally in the case of Proserpine, or in the sense of moonlit vines that run from the earth, crushed leaves under the feet of bounding Diana.. While Apollo is detached in airy flight, the goddesses are associated with the earth and earth-power. This power is quite cyclical, and where there is death and carrion, there is life and revival.
The exact same goes for mixed, traditional farming which fertilizes the soil for crops with grazing animals. The nether-regions of the animals, the faeces and urine, create strength through the process of microbial degradation.
This cyclical strength of decay and revival tends to be ignored by straight-line logic which disregards fertility for the sake of a sterile system of “efficiency”. The result is that the cycling of carbon is much reduced – a false efficiency.
The issue is one of dirt and cleanliness; of the strength that leads to revival and therefore health and sound, clean-living in rustic revival. It’s a false economy to ignore cyclical issues. There is also meaning associated with the physical acts that a sterile order lacks. A physical world has meaning that is associated with the earth and revival.
The revival has psychic repercussions and the gaiety of song; Dionysian pursuits, garlanded donkeys. The sterile order stymies this gaiety owing to the false logic of straight-line efficiency.
It’s also false because the physique cannot be denied, and so the land of physical boredom results in numerical compulsion; the Black Sun of calculation that shines where the sun don’t shine. In this sterile land, the serpent is loose in the form of profane meat (GM) and sex-by-proxy (DNA).