LYRICS

The applications are to blameAll the people do all dayIs stare into a phone (Placebo, Too Many people)

“Take nothing but memories, leave nothing but footprints!” (Chief Seattle)

When rock stars were myths (Sandi Thom, I Wish I Was A Punk Rocker)

Machines were mice and men were lions once upon a time, Now that it's the opposite it's twice upon a time (Moondog)

Time is an illusion (Einstein)

Saturday 14 September 2019

Pictorial 60


Mythical characters allow us to uncover additional meaning in dream symbolism; and our understanding of dream interpretation allows us to see myths in a new light. (page 5)
The first two chapters of Kari Hohne’s The Mythology of Sleep: the Waking Power of Dreams are contrasting and practically opposites. The warriors of Viking blood and Norse mythology are over-achieving conquerors. She’s pretty kind to them (more than Howard, at least) and their vast fairy tale influence over vast reaches, even into Russia.
Odin sacrifices an eye to Mimir, guardian of the well at the root of Yggdrasil, in order to gain the knowledge of the future hidden at the bottom of the water. Later, he hangs upside down on Yggdrasil for nine days and nights to gain the power and wisdom of the norns.

With this power and knowledge he grows ever-more withdrawn, sending out his two ravens (conscience) and two wolves (instinct), while he skulks about wearing a wide-brimmed hat.
The Grey God Passes
His depressive symptoms are a product of knowledge of a future Twilight of the Gods, while his own strength persuades him that he may yet trick fate. The two wolves at Odin’s side represent the instinctive aggression that he converts into depression. Yeah, he is introspective and it’s tough being the all-father – that’s without even mentioning Fenris, his begetter Loki or the world serpent, another Loki offspring.
While Odin eschews action, it’s actually the Egyptian pantheon of chapter two (of eight) that vastly more resembles our modern order. Hohne has a symbolic description of the Norse charioteer as the warrior holding the reins of will to drive the instinctive horse. By contrast, the Egyptian powers are much more reptilian (the brain, she explains, has three levels – reptilian, mammalian and rational).
She describes how the sacrificial eye of Ra becomes a daughter, who grows angry when in her absence she was replaced (anxiety). Ra turns her into a snake and places her at the centre of the forehead,
As a symbolic representation of how reptilian urges can take precedence over logical processes. (page 50).
Now, how can I say that we, today, live in a reptilian (fight or flight) order when all along I’ve been saying we live in a logical order? Owing to this quote.
We compulsively seek order in proportion to the disorder we feel within. (page 50).
Have you ever wondered why we all have to buy things? The cycle of reptilian anxiety (fight or flight) becomes a
Lifestyle where we are always feeling empty. (page 50)
The reptile within governs our behaviour and,
We may create a reward system which revolves around self-gratifying behaviour. (page 50).
The question is, why have we become reptilian? Because we no longer have control over the logical processes of the body that is active in hunting, riding the hills and forests, killing and preparing game. The logical and the illogical always act together (Pictorial 13, Le Mepris). This is a balanced lifestyle, which Hohne covers further on in the book (i ching).
All logical processes in the modern order are outside the body, courtesy of the great god Ra (sun), and the sorcerer of light (Newton C4).
The Egyptians were believers in cyclical recurrence (the Nile) which gave their anxieties a source of constant fulfilment. Modern Man is a believer in nothing. Nothing save what is outside the body.
To quote Hohne again, it is
not an image of the charioteer driving the horses, but the horses driving the charioteer in a state of panic.. Whereas the warrior’s aggressive energy is checked and arrested… unchecked energy dissipates as anxiety. (page 48).
And this is the neurotic age we live in.